B.O.D.Y. - そして、それから work in progress / 2019 –

Mixed Media, Sound-, Spatial- Installation/Performative in the installation
 
 
 
 

(Image: Photograph „Untitled_2020“, Erika Matsunami, On Transculturality in threefoldness)

On symbolism and its transformation in threefoldness (Thereby 'threefoldness' is on the top of ring that is the reflection of the blue sky through the window. This photograph is a digital photography and a poetic image without CG.)

The question is 'What is symbolism?'

'N' itself is not a symbol. Hereby 'N' has no meaning.

 

The topic is post-doc topic in the digital photography includes atention theory. I started to exolore with the digital camera practically.

 

Idea of the motif in the photography:

Stagig (fictive) photography and its performativity

 

It was the subject from 2018 to 2020 to play a bad roll in the art (not only play a beautiful roll) towards the question of goodness and badness in the art (aeshtetics, ethics and moral in the art)

Without transformation, it does not work becasue of 'Idealisim' in the art.

– deconstruction of good and bad binary decision

 

(Due to the corona pandemic and the lockdown in 2020, I had to stop this project in 2020 together with the stopping of the project N.N -Zwischenliegend.)

 

Project B.O.D.Y. – artistic research on body contemporariness in art (working title)

– transformative processes

 

 

- FROM THREEFOLDNESS TO MULTI-FOLDNESS

 

- WHAT IS A MUSICAL ERROR?

- FROM MULTI-FOLDNESS TO MANIFOLDNESS - ON NATURAL SPACE

 

Projekt und Artistic research (select):

- Sensation of Motion in Time

- deflection - Rasen-jo no jikan

- transformation

- B.O.D.Y.

- still/silent (Der Inhalt des Kataloges „still/silent“)

 

- B.O.D.Y.

- 10 DAYS + 10 DAYS WORK IN PROGRESS

- REFLECTION ON THE AUDITORY AND VISUAL ASPECTS OF 'SITE-SPECIFIC' IN ARTS